WHAT DO YOU MEAN—AMERICANS?
From Pictorial Review
THEY live in the country of the old—old houses, old sands, old men. Already they dream, and this is their dream, that when they are gone the tides, which seem to eat deeper into the Cove each year, will just come on up one spring and carry what’s left of Cape Cod down under the water of the Seven Seas that in its old youth it conquered, its work and its glory done. And that will be before long now, for there are only a few folks left.
You can count the families on one hand. There are the Whites and the Fullers in the Hollow, the Rogerses at the Bog, the Brewster brothers at the Cove. That’s about all now in this tenuous, half-drowned, seven-mile wrist of the Cape. Of the Whites and Rogerses there are four generations, in the Fuller house three: the latter ends run pretty puttering, though, and pretty thin.
If it’s a far cry from the Edward Fuller who came ashore to say his prayers, chase Indians, and leave his name on the Pilgrim Tablet over in Provincetown, down to Eddie Fuller, yawning and attending to his pimples behind the post-office boxes at the Center—if it’s a far cry from those dreadless “subjects of the dread sovereign” down to the youthless White youths, flivver-rattling to their fevered merrymakings at Wellfleet or Eastham, their galvanic dead-frog dancing, their drug-store tipple, and their radio jazz—if there’s a gap there, there’s a gap almost as wide and quite as melancholy between these tag-ends of the stock and a generation still living under the roofs with them—Sam White and Benjie Fuller in the Hollow, Ember Rogers at the Bog, Andy and
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