A FOURTEENTH-CENTURY ART-PATRON AND PHILANTHROPIST,
MAHAUT, COUNTESS OF ARTOIS
It has been well said that "out of things unlikely and remote may be won romance and beauty." Perhaps the truth of this reflection has never been more signally exemplified than in the case of Mahaut, Countess of Artois and Burgundy, the record of whose life, in the absence of any contemporary biographer, has been ably deciphered from such commonplace material as the household accounts of her stewards.[1] This great lady, one of the greatest patrons of art of her time, lived at the end of the thirteenth and the beginning of the fourteenth century. She was a great-niece of St. Louis. No poet has sung of her. It is merely through the prose of daily expenditure that she is made known to us. She stands before us, not the ideal creation of the mediæval romancer, but a real woman, with her virtues and failings, her
- ↑ Richard (Jules Marie), Une Petite Nièce de S. Louis: Mahaut, Comtesse d'Artois.
Dehaisnes (M. le Chanoine), L'Histoire de l'art dans la Flandre, l'Artois, et le Hainaut avant le XVᵐᵉ siecle.
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