OF SIX MEDIÆVAL WOMEN
for Jean, Duc de Berri, a brother of the King, some idea of what this old residence of the Louvre was like. In this miniature we see represented a square grim castle, with a large tower at each corner and narrow slits for windows, suggestive more of a place of refuge in time of war and tumult than the home of a peace-loving, enlightened king. When Charles determined to beautify this sombre structure, statues were set up without and tapestries hung within. One of the towers was fitted up for the library, panelled with rare woods and furnished with some thirty small chandeliers and a large central silver lamp, kept lighted both night and day so that work could go on at all hours. In the courtyard an outside circular staircase (one of the earliest, if not the earliest, of the kind) was added to give, as was said, a note of gaiety. But the idea of gaiety seems somewhat ironical when we learn that as it was difficult to get a sufficient number of large slabs quarried quickly, headstones from the cemetery of the Holy Innocents were taken for the purpose!
Christine, as a child, showed an extraordinary capacity for learning, and this her father zealously fostered and developed. At the age of fifteen she married, and married for love, the King's notary and secretary, Etienne de Castel, a gentleman of Picardy. Her happiness and well-being seemed assured, but Fortune, whose wheel is ever revolving, though sometimes so slowly as to lull us into forgetfulness,
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