OF SIX MEDIÆVAL WOMEN
physical, and does not extend to soul or rational power. She sums up by strongly advocating study and learning, both for self-improvement and as a consolation and possession for all time.
Of her poetical writings on love and the sexes, perhaps the most enchanting is Le Livre du Dit de Poissy. In it she takes us, on a bright spring morning, with a joyous company, from Paris to the royal convent of Poissy, where her child is at school. She describes all the beauties of the country, the fields gay with flowers, the warbling of the birds, the shepherdesses with their flocks, the willow-shaded river bank along which they ride, the magic of the forest of St. Germain, a little world apart of greenery and shade, filled with the song of the nightingales. Laughing and singing by the way, they reach the convent gate. Then follows a description of the beautiful carved cloisters, the chapter-house, the nuns' dress and their dormitory, the garden scented with lavender and roses, with one part, where small animals are allowed to run wild, left uncultivated, and the ponds well stocked with fish. As the day wanes, they bid farewell to the nuns, who offer them gifts of purses and girdles embroidered in silk and gold, worked by their own hands. They return to the inn where they are to spend the night, and after supper wander forth to listen to the nightingales, then dance a carole, and so to bed. The ride back to Paris in the morning, during which a discussion on love matters is introduced,
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