MEDIÆVAL GARDENS
romance of Tristan and Isolde, where Tristan, to apprise his mistress that he is at their trysting-place in the garden, drops into the water small pieces of bark and twigs, which are quickly carried to the chamber where Isolde is waiting and watching. And one eventide a perilous encounter befalls. Tristan has been banished the Court, for evil tongues have whispered in King Mark's ear of his love for Isolde, and have further whispered of secret meetings in the garden, beside the fountain. Now near the fountain is a pine-tree, into which King Mark resolves to climb, and perchance to discover the meeting of the lovers. As daylight fades, Tristan scales the wall, and hastens to throw into the water the little signals for his lady. But as he stoops over the pool he sees, reflected in its clear surface, the image of the king, with bow ready bent. Can he stop the floating twigs as they are hurried along on their mission? No. The water carries them away out of sight, and Isolde must come. She comes, but Tristan does not go to meet her as was his wont, but remains standing by the water. She wonders at her lover's seeming unconcern, but as she approaches him, suddenly, in the bright moonlight, she, too, sees in the water the reflection of the king, and the lovers are saved.
A pine-tree is so often mentioned as a special feature in a mediæval garden that one is led to think that its use may either have been a survival from the days of Tree Worship, seeing that the
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