OF SIX MEDIÆVAL WOMEN
still strange extremes have flourished side by side all down the ages. Turning to but comparatively recent times, the coarseness we associate with much of the reign of Charles II. stands out in glaring contrast with the delicate, graceful poetry that found expression then. And coming still nearer to our own days, we think of the unseemly manners in the reigns of George III. and IV. and the dainty miniatures such as those painted by Cosway, and wonder how these could exist together. Might we not just as well wonder why the olive tree has a gnarled, distorted stem, whilst its delicate, symmetrical leaves, of the tenderest green grey, glisten in the sunshine like silvery shells fresh from ocean's bed?
Renan, amongst the many thinkers on life's mysteries, tells us that "Life is the result of a conflict between contrary forces." But to philosophise is useless, and it is still more useless to question life's seeming anomalies. We can only bow in silence before "what Time in mists confounds."
As has been already said, it is only a general idea of the women of the Middle Ages that can be gleaned from the Romances. For something to bring us into more real touch with them, and to reveal more of their personality, we must consider some who have made themselves known to us through their work, since history, until
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