A TENTH-CENTURY DRAMATIST, ROSWITHA THE NUN
In this age of personal curiosity, politely called psychological interest, when personalities are analysed with all the thoroughness of the dissecting theatre, it seems almost courting failure to try to call to remembrance one whose personality has long since faded away, and of whom, apparently, no contemporary writer has made mention. Of Roswitha, the woman, we know but little, and this little is gathered from her own writings.[1] Presumably the date of her birth was about A.D. 935, and that of her death about A.D. 973. There is a tradition that she was connected with the royal house of Germany, at that time represented by the enlightened Otho the Great. Be this as it may, her life for us begins when, probably at an early age, she entered the Convent of Gandersheim. Gandersheim was a Benedictine nunnery in the Harz Mountains, founded in the ninth century by Liudolf, Duke of Saxony, and important enough
- ↑ The authenticity of these has been called in question by some critics, but apparently upon insufficient data.
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