it is too much to say, as has often been said, that there is no book which has nothing good in it; it is better simply to state that the good of a book depends incomparably more for its influence upon the habits of the reader than upon the art of the writer, no matter how great that writer may be. In a previous lecture I tried to call your attention to the superiority of the child's methods of observation to those of the man; and the same fact may be noticed in regard to the child's method of reading. Certainly the child can read only very simple things; but he reads most thoroughly; and he thinks and thinks untiringly about what he reads; one little fairy tale will give him mental occupation for a month after he has read it. All the energies of his little fancy are exhausted upon the tale; and if his parents be wise, they do not allow him to read a second tale, until the pleasure of the first, and its imaginative effect, has begun to die away. Later habits, habits which I shall venture to call bad, soon destroy the child's power of really attentive reading. But let us now take the case of a professional reader, a scientific reader; and we shall observe the same power, developed of course to an enormous degree. In the office of a great publishing house which I used to visit, there are received every year sixteen thousand manuscripts. All these must be looked at and judged; and such work in all publishing houses is performed by what are called professional readers. The professional reader must be a scholar, and a man of very uncommon capacity. Out of a thousand manuscripts he will read perhaps not more than one; out of two thousand he may possibly read three. The others he simply looks at for a few seconds—one glance is enough for him to decide whether the manuscript is worth reading or not. The shape of a single sentence will tell him that, from the literary point of view. As regards subject, even the title is enough for him to judge, in a large number of cases. Some manu-
