XXXVI
Longinus on the Sublime
69
the caverns of Aetna, from whose raging depths are hurled up stones and whole masses of rock, and torrents sometimes come pouring from earth's centre of pure and living fire.
To sum the whole: whatever is useful or needful lies easily within man's reach; but he keeps his homage for what is astounding.
How much more do these principles apply to the Sublime in literature, where grandeur is never, as it sometimes is in nature, dissociated from utility and advantage. Therefore all those who have achieved it, however far from faultless, are still more than mortal. When a writer uses any other resource he shows himself to be a man; but the Sublime lifts him near to the great spirit of the Deity. He who makes no slips must be satisfied with negative approbation, but he who is sublime commands positive reverence.
2 Why need I add that each one of those great writers often redeems all his errors by one grand and masterly stroke? But the strongest point of all is that, if you were to pick out all the blunders of Homer, Demosthenes, Plato, and all the greatest names in literature, and add them together, they would be found to bear a very small, or rather an infinitesimal proportion to the passages in which
