one syllable, and reading ὡς νέφος, the grandeur of movement is at once crippled by the abridgment. So conversely if you lengthen into ὡσπερεὶ νέφος, the meaning is still the same, but it does not strike the ear in the same manner, because by lingering over the final syllables you at once dissipate and relax the abrupt grandeur of the passage.
XL
There is another method very efficient in exalting a style. As the different members of the body, none of which, if severed from its connection, has any intrinsic excellence, unite by their mutual combination to form a complete and perfect organism, so also the elements of a fine passage, by whose separation from one another its high quality is simultaneously dissipated and evaporates, when joined in one organic whole, and still further compacted by the bond of harmony, by the mere rounding of the period gain power of tone.2 In fact, a clause may be said to derive its sublimity from the joint contributions of a number of particulars. And further (as we have shown at large elsewhere), many writers in prose and verse, though their natural powers were not high, were perhaps even low, and though the terms they employed were usually common and popular and conveying no
