VIII
I shall now proceed to enumerate the five principal sources, as we may call them, from which almost all sublimity is derived, assuming, of course, the preliminary gift on which all these five sources depend, namely, Command of language. The first and the most important is (1) grandeur of thought, as I have pointed out elsewhere in my work on Xenophon. The second is (2) a vigorous and spirited treatment of the passions. These two conditions of sublimity depend mainly on natural endowments, whereas those which follow derive assistance from Art. The third is (3) a certain artifice in the employment of figures, which are of two kinds, figures of thought and figures of speech. The fourth is (4) dignified expression, which is sub-divided into (a) the proper choice of words, and (b) the use of metaphors and other ornaments of diction. The fifth cause of sublimity, which embraces all those preceding, is (5) majesty and elevation of structure. Let us consider what is involved in each of these five forms separately.
I must first, however, remark that some of these five divisions are omitted by Caecilius; for instance, he says nothing about the passions. 2Now if he made this omission from a belief that the Sublime
