maddens a man, unless he is inured to outrage; no one could describe all this so as to bring home to his hearers its bitterness."[1] You see how he preserves, by continual variation, the intrinsic force of these repetitions and broken clauses, so that his order seems irregular, and conversely his irregularity acquires a certain measure of order.
XXI
Supposing we add the conjunctions, after the practice of Isocrates and his school: "Moreover, I must not omit to mention that he who strikes a blow may hurt in many ways, in the first place by gesture, in the second place by look, in the third and last place by his tone." If you compare the words thus set down in logical sequence with the expressions of the "Meidias," you will see that the rapidity and rugged abruptness of passion, when all is made regular by connecting links, will be smoothed away, and the whole point and fire of the passage will at once disappear.2 For as, if you were to bind two runners together, they will forthwith be deprived of all liberty of movement, even so passion rebels against the trammels of conjunctions and other particles, because they curb its free rush and destroy the impression of mechanical impulse.
