the copper-plate will be advanced by the same quantity, and thus a new line of section may be drawn: and, by continuing this process, the series of sectional lines on the copper produces the representation of the medal on a plane: the outline and the form of the figure arising from the sinuosities of the lines, and from their greater or less proximity. The effect of this kind of engraving is very striking; and in some specimens gives a high degree of apparent relief. It has been practised on plate-glass, and is then additionally curious from the circumstance of the fine lines traced by the diamond being invisible, except in certain lights.
From this description, it will have been seen that the engraving on copper must be distorted; that is to say, that the projection on the copper cannot be the same as that which arises from a perpendicular projection of each point of the medal upon a plane parallel to itself. The position of the prominent parts will be more altered than that of the less elevated; and the greater the relief of the medal the more distorted will be its engraved representation. Mr. John Bate, son of Mr. Bate, of the Poultry, has contrived an improved machine, for which he has taken a patent, in which this source of distortion is remedied. The head, in the title-page of the present volume, is copied from a medal of Roger Bacon, which forms one of a series of medals of eminent men, struck at the royal mint at Munich, and is the first of the published productions of this new art.[1]
- ↑ The construction of the engraving becomes evident on examining it with a lens of sufficient power to show the continuity of the lines.
