vibrate as hard as I please, and the gold-leaf will not be disturbed, but will swing as steadily as a piece of iron would do; and I might even swing it round my head with any degree of force, and it would remain undisturbed. Or I can try another kind of experiment:—if I raise the gold-leaf in this way [pulling the bottle up to the ceiling of the theatre by means of a cord and pulley, and then suddenly letting it fall to within a few inches of the lecture-table], and allow it then to fall from the ceiling downwards (I will put something beneath to catch it, supposing I should be maladroit), you will perceive that the gold-leaf is not in the least disturbed. The resistance of the air having been avoided, the glass bottle and gold-leaf all fall exactly in the same time.
Here is another illustration,—I have hung a piece of gold-leaf in the upper part of this long glass vessel, and I have the means, by a little arrangement at the top, of letting the gold-leaf loose. Before we let it loose we will remove the air by means of an air pump, and while that is being done, let me shew you another experiment of the same kind.
