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ON TRANSLATING HOMER:

upon the scholar,—is a test which can never really be applied at all. These two impressions,—that of the scholar, and that of the unlearned reader,—can, practically, never be accurately compared; they are, and must remain, like those lines we read of in Euclid, which, though produced ever so far, can never meet. So, again, I concede that a good verse-translation of Homer, or, indeed, of any poet, is very difficult, and that a good prose-translation is much easier; but then I urge that a verse-translation, while giving the pleasure which Pope’s has given, might at the same time render Homer more faithfully than Pope’s; and that this being possible, we ought not to cease wishing for a source of pleasure which no prose-translation can ever hope to rival.

Wishing for such a verse-translation of Homer, believing that rhythms have natural tendencies which, within certain limits, inevitably govern them; having little faith, therefore, that rhythms which have manifested tendencies utterly un-Homeric can so change themselves as to become well adapted for rendering Homer,—I have looked about for the rhythm which seems to depart least from the tendencies of Homer’s rhythm. Such a rhythm I think may be found in the English hexameter, somewhat modified. I look with hope towards continued attempts at perfecting and employing this rhythm; but my belief in the immediate success of such attempts is far less confident than has been supposed. Between the recog-