But the words are excellent, if only they are in proper keeping with the general style.—Now it is very possible, that in some passages, few or many, I am open to the charge of having mixed old and new style unskilfully; but I cannot admit that the old words (as such) are ignoble. No one speaks of Spenser's dialect, nay, nor of Thomson's; although with Thomson it was assumed, exactly as by me, but to a far greater extent, and without any such necessity as urges me. As I have stated in my preface, a broad tinge of antiquity in the style is essential, to make Homer's barbaric puerilities and eccentricities less offensive. (Even Mr Arnold would admit this, if he admitted my facts: but he denies that there is anything eccentric, antique, quaint, barbaric in Homer: that is his only way of resisting my conclusion.) If Mr Gladstone were able to give his valuable time to work out an entire Iliad in his refined modern style, I feel confident that he would find it impossible to deal faithfully with the eccentric phraseology and with the negligent parts of the poem. I have the testimony of an unfriendly reviewer, that I am the first and only translator that has dared to give Homer's constant epithets and not conceal
- [Footnote: find bulkin very hard. Since writing the above, I
see a learned writer in the Philological Museum illustrates ἴλη by the old English phrase 'a plump of spears'.]
