Hawtrey's version of it is suffused with a pensive grace which is, perhaps, rather more Virgilian than Homeric; still it is the one version of any part of the Iliad which in some degree reproduces for me the original effect of Homer: it is the best, and it is in hexameters.
This is one of the particular considerations that incline me to prefer the hexameter, for translating Homer, to our established metres. There is another. Most of you, probably, have some knowledge of a poem by Mr Clough, The Bothie of Toper-na-*fuosich, a long-vacation pastoral, in hexameters. The general merits of that poem I am not going to discuss: it is a serio*
- [Footnote: them may have to the next generation become natural.
For my part, I feel no disposition to pass all my own life in the wilderness of pedantry, in order that a posterity which I shall never see may one day enter an orthographical Canaan; and, after all, the real question is this: whether our living apprehension of the Greek world is more checked by meeting in an English book about the Greeks, names not spelt letter for letter as in the original Greek, or by meeting names which make us rub our eyes and call out, 'How exceedingly odd!'
The Latin names of the Greek deities raise in most cases the idea of quite distinct personages from the personages whose idea is raised by the Greek names. Hera and Juno are actually, to every scholar's imagination, two different people. So in all these cases the Latin names must, at any inconvenience, be abandoned when we are dealing with the Greek world. But I think it can be in the sensitive imagination of Mr Grote only, that 'Thucydides' raises the idea of a different man from Θουκυδίδης.]
