first related by Phlegon, the freedman of Hadrian. Versions of it were current in the twelfth and sixteenth centuries; and Goethe reproduced it in his "Bride of Corinth." We offer a translation from the brief version of Michelet, who accuses Goethe of bad taste for having introduced the Slavic idea of vampirism into a purely Greek story.
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A young Athenian goes to Corinth to visit the house of the man who has promised him his daughter in marriage. He has always remained a pagan, and does not know that the family into which he hopes to enter has been converted to Christianity. He arrives at a very late hour. All are in bed except the mother, who prepares a hospitable repast for him, and then leaves him to repose. He throws himself upon a couch, overwhelmed with fatigue. Scarcely has he closed his eyes, when a figure enters the room; it is a girl, all clad in white, with a white veil; there is a black-and-gold fillet about her brows. She beholds him. Astonishment! Lifting her white hand, she exclaims:
"Am I then such a stranger in the house? Alas! poor recluse that I am! But I am ashamed to be here. I shall now depart. Repose in peace!"
"Nay, remain, beautiful young girl! Behold! here are Ceres, Bacchus, and, with thee, Love! Fear not! be not so pale!"
"Ah! touch me not, young man! I belong no more to joy. Through a vow made by my sick
