miles is like this. These are the early diggings. The auriferous earth was sluiced, and the boulders and rocks and pebbles piled up in great dykes and battlements out of reach of the water. It is a most unique appearance. I have never witnessed such. The dykes and wavy irregular outlines are quite unlike the débris and tumuli left after the workings or alluvial gold-washing in any part of Australia I have visited. Look back! How majestic seem these mighty sentinels, clad in eternal snow, and looking down so purely and serenely on the disrupted valley, as if in pity at the mad hurry-scurry and feverish lust of gold which they have witnessed.
The peaceful plough has now succeeded the eager pick and shovel, and several thatched farmcots are visible here and there through the mists.
On our left a magnificent cascade comes shooting down over an abrupt ledge, and now we reach the Swift Burn gorge. 'Twould take a Doré to paint this awful chasm. Far below, the Swift Burn dashes. Appropriate name! The abyss is appalling in its inky hues of desolation. It looks as if mortification had set in on all the livid faces of crag, and rotting cliff, and the black-blue tinge of universal dissolution has set its seal on all the surroundings. The Arrow here loses its mud-begrimed waters in the olive-green volume of the swift Kawarau. The canyon is of a depth that makes one shudder. The crags and peaks are blasted as if by the scorching breath of the legions