periodicals, I got as far as the editorial office—very far indeed in my opinion—and there once or twice I saw Judge Tourgee, who had abandoned his reconstructive mission and judicial duties for an editorial post in Philadelphia, and who at the moment was more talked about than any American author, his Fool's Errand having given him the sort of fame that Looking Backward brought to Bellamy: ephemeral, but colossal while it lasted. Curiously, I recall nothing of the man himself—not his appearance, his manner, his talk. I think it must have been because, for me, he was overshadowed by his Art Editor, Miss Emily Sartain; my interest in him eclipsed by my admiration for her and my envy of a woman, so young and so handsome, who had attained to such an influential and responsible post. I thought if I ever should reach half way up so stupendous a height, I could die content. Louise Stockton, Frank Stockton's sister, and Helen Campbell were on the staff, in my eyes amazing women with regular weekly tasks and regular weekly salaries. I might argue for my comfort that there was greater liberty in being a free lance, but how wonderful to do work that an editor wanted every week, was willing to pay for every week!—wonderful to me, anyway, who had just had my first taste of earning an income, but not of earning it regularly and without fail. My Uncle wrote more than once for Tourgee; J. and I contributed those articles which were further excuses for our walks together: Judge Tourgee, to his own loss, thinking it a recommendation for a contributor to be a
