the ways in which Philadelphia has changed, none is to me more remarkable than in this rekindling of interest out of which has sprung the new group of writers in its praise.
Nor were the Philadelphia poets idle during my absence. Dr. Mitchell had not before sung so freely in public, nor had he ranked, as I am told he did at the end, his verse higher than his medicine. Mrs. Coates' voice had not carried so far. Dr. Francis Howard Williams had not rhymed for Pageants in praise of Philadelphia. Mr. Harrison Morris had not joined the Philadelphia choir. Mr. Harvey M. Watts had not been heard in the land. I have it on good authority that yearly the Philadelphia poets meet and read their verses to each other, a custom of which I cannot speak from personal knowledge as I have no passport into the magic circle, and perhaps it is just as well for my peace of mind that I have not. Rumour declares that, on certain summer evenings, a suburban porch here or there is made as sweet with their singing as with the perfume of the roses and syringa in the garden, and I am content with the rumour for there is always the chance the music might not be so sweet if I heard it. I like to remember that the poets on their porch, whether their voices be sweet or harsh, descend in a direct line from the young men who wandered, discoursing of literature, along the Schuylkill. And Philadelphia's love of poetry is to be assured not only by its own singers but by its care, now as in the past, for the song of others. Horace Howard
