heard until we have it by heart that Philadelphia is a cemetery, and the road to it, the Road to Yesterday. We are so familiar with the venerable cliché that we can but wonder at its gift of eternal youth. Never was there a jest that wore so well with those who make it. The comic column is rarely complete without it, and it is forever cropping up where least expected. In the last American novel I opened Philadelphia was described as hanging on to the last strap of the last car to the sound of Gabriel's horn on Judgment Day; in the last American magazine story I read the Philadelphia heroine by her Philadelphia calm conquered the cowboys of the west, as Friends of old disarmed their judges in court. In the general Americanization of London, even the London papers have seized upon the slowness of Philadelphia as a joke for Londoners to roar at. Li Hung Chang couldn't visit Philadelphia without dozing through the ceremonies in his honour and noting the appropriateness of it in his diary. And so it goes on, the witticism to-day apparently as fresh as it was in the Stone Age from which it has come down to us.
If Philadelphians laugh, that is another matter—every man has the right to laugh at himself. But we have outlived our old affectation of indifference to our town, I am not sure that we are not pushing our profession of pride in it too far to the other extreme. I remember the last time I was home I went to a public meeting called to talk about the world's waterways, and no Philadelphian present, from the Mayor down, could talk of anything
