CHAPTER XV: PHILADELPHIA AND ART—CONTINUED
I
BY the time I grew up years had passed since Philadelphia had ceased to be the Capital, and during these years its atmosphere had not been especially congenial to art. But the general conditions had not been more stimulating anywhere in America. The Hudson River School is about all that came of a period which, for that matter, owed its chief good to revolt in countries where more was to be expected of it: in France, to first the Romanticists and then the Impressionists who had revolted against the Academic; in England to the Pre-Raphaelites who, with noisy advertisement, broke away from Victorian convention. Art in America had not got to the point of development when there was anything to revolt against or to break away from. What it needed was a revival of the old interest, a reaction from the prevailing indifference to all there was of art in the country.
Some say this came in Philadelphia with the Centennial. The Centennial's stirring up, however, would not have done much good had not artists already begun to stir themselves up. How a number of Americans who had been studying in Paris and Munich returned to America full of youth and enthusiasm in the early Eighteen-Seven-
