On a pedestal near by, are marble busts of Maximilian and Carlotta, doubtless sculptured in actual mathematical proportions, which are as much unlike the painted portraits as possible; the features of each being coarser, and more distinctly marked and characteristic. Mexico is filled with representations of Maximilian, painted, engraved, sculptured, and printed, and it almost seems as if he had done nothing else, but to sit for his portrait during his whole residence in the country. His vanity induced him to stamp his likeness on every conceivable object within his reach, and you see it everywhere.
CARLOTTA.
In a case in the same room, there is a miscellaneous collection of court costumes, which remind one of the wardrobe room in a theatre. There are gold and silver lace-embroidered coats and hats for the royal flunkies, gorgeous diamond buckles for the belts of gentlemen of the household, jockey caps for the outriders of the royal coach, silver and gold-mounted swords, and gold and silver buttons, for senators, representatives, cabinet officers, generals, judges, and every other member or officer of the imperial government. Great, gilt monograms of the Emperor and Empress, torn down from over windows and doorways, lay scattered about, and indecent statues in bronze, more indecently mutilated in some cases, were shown us.
