and mutter. It was no longer upon Indians or the sorrel horse that his talk seemed to run, or anything recent, apparently, always excepting his work. This flowingly merged with whatever scene he was inventing or living again, and he wandered unendingly in that incompatible world we dream in. Through the medley of events and names, often thickly spoken, but rising at times to grotesque coherence, the listeners now and then could piece out the reference from their own knowledge. "Monte," for example, continually addressed, and Molly heard her own name, but invariably as "Miss Wood"; nothing less respectful came out, and frequently he answered some one as "ma'am." At these fragments of revelation Mrs. Taylor abstained from speech, but eyed Molly Wood with caustic reproach. As the night wore on, short lulls of silence intervened, and the watchers were deceived into hope that the fever was abating. And when the Virginian sat quietly up in bed, essayed to move his bandage, and looked steadily at Mrs. Taylor, she rose quickly and went to him with a question as to how he was doing.
"Rise on your laigs, you polecat," said he, "and tell them you're a liar."
The good dame gasped, then bade him lie down, and he obeyed her with that strange double understanding of the delirious; for even while submitting, he muttered "liar," "polecat," and then "Trampas."
At that name light flashed on Mrs. Taylor, and she turned to Molly; and there was the girl struggling with a fit of mirth at his speech; but the
