Page:Papers on Literature and Art (Fuller).djvu/101

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MODERN BRITISH POETS.
85

extract in a note to the “Curse of Kehama,” and I think no one can compare the two without feeling that the true alchymy has been at work there. His poetry is a new and life-giving element to the very striking thoughts he borrowed. Charcoal and diamonds are not more unlike in their effect upon the observer.

“THE GLENDOVEER.
“Of human form divine was he,
The immortal youth of heaven who floated by,
 Even such as that divinest form shall be
In those blest stages of our mortal race,
When no infirmity,
Low thought, nor base desire, nor wasting care
Deface the semblance of our heavenly sire—
The wings of eagle or of cherubim
Had seemed unworthy him;
Angelic power and dignity and grace
Were in his glorious pennons; from the neck
Down to the ankle reached their swelling web
Richer than robes of Tyrian dye, that deck
Imperial majesty:
Their color, like the winter’s moonless sky
When all the stars of midnight’s canopy
Shine forth; or like the azure deep at noon,
Reflecting back to heaven a brighter blue,
Such was their tint when closed, but when outspread,
The permeating light
Shed through their substance thin a varying hue;
Now bright as when the rose,
Beauteous as fragrant, gives to scent and sight
A like delight, now like the juice that flows
From Douro’s generous vine,
Or ruby when with deepest red it glows;
Or as the morning clouds refulgent shine
When at forthcoming of the lord of day,
The orient, like a shrine,
Kindles as it receives the rising ray,
And heralding his way