Page:Papers on Literature and Art (Fuller).djvu/163

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THE MODERN DRAMA.
147

that the tones of defence had really no chance to be heard. We would not have had papers stolen, and by a son from a father who had entrusted him with a key, to condemn him. And what a man was this thief, one whose high enthusiastic hope never paused at good, but ever rushed onward to the best.

Who would outbid the market of the world,
And seek a holier than a common prize,
And by the unworthy lever of to-day
Ope the strange portals of a better morn.
 *****
Begin to-day, nor end till evil sink
In its due grave; and if at once we may not
Declare the greatness of the work we plan,
Be sure, at least, that ever in our eyes
It stand complete before us, as a dome
Of light beyond this gloom; a house of stars,
Encompassing these dusky tents; a thing
Absolute, close to all, though seldom seen,
Near as our hearts, and perfect as the heavens.
Be this our aim and model, and our hands
Shall not wax faint until the work is done.

He is not the first, who, by looking too much at the stars has lost the eye for severe fidelity to a private trust. He thought himself “obliged in conscience to impart the paper to Master Pym.” Who that looks at the case by the code of common rectitude can think it was ever his to impart?

What monstrous measures appear the arbitrary construction put on the one word in the minutes which decided the fate of Strafford, the freeing the lords of council from the oath of secrecy under whose protection he had spoken there, the conduct of the House towards Lord Digby, when he declared himself not satisfied that the prisoner could with justice be declared guilty of treason; the burning his speech by the common hangman when he dared print it, to make known the reasons of his course to the world, when placarded as Straffordian, held up as a mark for