selves. This is the case as to those which followed this little sketch:
“For a period of seventeen years, I was employed in a great weaving factory in Aberdeen. It contained upwards of three hundred looms, worked by as many male and female weavers. ’Twas a sad place, indeed, and many a curiosity sort of man and woman entered that blue gate. Amongst the rest, that little sly fellow Cupid would steal past ‘Willie, the porter’ (who never dreamed of such a being)—steal in amongst us, and make a very harvest of it. Upon the remembrance of one of his rather grave doings, the song of ‘Mary’ is composed. One of our shopmates, a virtuous young woman, fairly though unconsciously, carried away the whole bulk and value of a poor weaver’s heart. He became restless and miserable, but could never muster spirit to speak his flame. “He never told his love”—yes, he told it to me. At his request, I told it to Mary, and she laughed. Five wecks passed away, and I saw him to the churchyard. For many days ere he died, Mary watched by his bedside, a sorrowful woman, indeed. Never did widow’s tears fall more burningly. It is twenty years since then. She is now a wife and a mother; but the remembrance of that, their last meeting, still haunts her sensitive nature, as if she had done a deed of blood.”
The charming little description of one of the rural academies known by the name of a “Wifie’s Squeel,” we reserve to reprint in another connexion. As we are overstepping all limits, we shall give, in place of farther comments, three specimens of how the Muse sings while she throws a shuttle. They are all interesting in different ways. “One of the Heart’s Struggles” is a faithful transcript of the refined feelings of the craftsman, how opposite to the vulgar selfishness which so often profanes the name of Love! “A Chieftain Unknown to the Queen,” expresses many thoughts that arose in our own mind as we used to read the bulletins of the Royal Progress through Scotland so carefully transferred to the columns of American journals. “Whisper Low” is perhaps the best specimen of song as song, to be found in this volume.
