work, business and pleasure, have to offer to the world, as the honey he could spare from his hive.
Pippa is a little Italian girl who works in a silk mill. Once a year the workpeople in these mills have an entire day given them for their pleasure. She is introduced at sunrise of such a day, singing her morning thoughts. She then goes forth to wander through the town, singing her little songs of childish gayety and purity. She passes, not through, but by, different scenes of life, passes by a scene of guilty pleasure, by the conspiracies of the malicious, by the cruel undeception of the young sculptor who had dared trust his own heart more fully than is the wont of the corrupt and cautious world. Every where the notes of her song pierce their walls and windows, awakening them to memories of innocence and checking the course of misdeed. The plan of this work is, it will be seen, at once rich and simple. It admits of an enchanting variety, and an unobtrusive unity. Browning has made the best use of its advantages. The slides in the magic lantern succeed one another with perfect distinctness, but, through them all shines the light of this one beautiful Italian day, and the little silk winder, its angel, discloses to us as fine gleams of garden, stream and sky, as we have time to notice while passing such various and interesting groups of human beings.
The finest sketch of these is that of Jules, the sculptor, and his young bride. Jules, like many persons of a lofty mould, in the uncompromising fervour of youth, makes all those among his companions whom he thinks weak, base and vicious, his enviers and bitter enemies. A set of such among his fellow-students have devised this most wicked plan to break his heart and pride at once. They write letters as from a maiden who has distinguished him from the multitude, and knows how to sympathize with all his tastes and aims. They buy of her mother a beautiful young girl, who is to represent the character. The letters assume that she is of a family of rank who will not favour the
