Page:Papers on Literature and Art (Fuller).djvu/89

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
MODERN BRITISH POETS.
73

ley, in melody and exuberance of fancy, was incalculably superior to Wordsworth? But mark their inferences.

Shelley.

“Teach me half the gladness
 That thy brain must know,
Such harmonious madness
 From my lips would flow
The world should listen, then, as I am listening now.”

Wordsworth.

 “What though my course be rugged and uneven,
To prickly moors and dusty ways confined,
Yet, hearing thee and others of thy kind
As full of gladness and as free of heaven,
I o'er the earth will go plodding on
By myself, cheerfully, till the day is done.”

If Wordsworth have superiority then, it consists in greater maturity and dignity of sentiment.

While reading Shelley, we must surrender ourselves without reserve to the magnetic power of genius; we must not expect to be satisfied, but rest content with being stimulated. We alone who can resign his soul in unquestioning simplicity to the descant of the nightingale or the absorption of the sea-side, may hope to receive from the mind of a Shelley the suggestions which, to those who know how to receive, he can so liberally impart.

I cannot leave Shelley without quoting two or three stanzas, in which he speaks of himself, and which are full of his peculiar beauties and peculiar faults.

“A frail form,
A phantom among men, companionless,
As the last cloud of an expiring storm,
Whose thunder is its knell, he, as I guess,
Had gazed on Nature’s naked loveliness
Actaeon-like, and now he fled astray