There is the world of science, from which the elements of personality have been carefully removed. We must not touch it with our feelings. But there is also the vast world, which is personal to us. We must not merely know it, and then put it aside, but we must feel it, because, by feeling it,—we feel ourselves.
But how can we express our personality, which we only know by feeling? A scientist can make known what he has learned by analysis and experiment. But what an artist has to say, he cannot express by merely informing and explaining. The plainest language is needed when I have to say what I know about a rose, but to say what I feel about a rose is different. There it has nothing to do with facts, or with laws,—it deals with taste, which can be realized only by tasting. Therefore the Sanskrit rhetoricians say, in poetry we have to use words which have got the proper taste,—which do not merely talk, but conjure up pictures and sing. For pictures and songs are not merely facts,—they are personal facts. They are not only themselves, but ourselves also. They defy analysis and they have immediate access to our hearts.
It has to be conceded, that man cannot help revealing his personality, also, in the world of