sense, or allegories, to use the technical term? But allegory is the very warp and woof of all poetry. Of course, though, the subject matter in the two cases is very different. That everyone will admit. In the one case it is God and things pertaining to him that are treated, in the other mere gods and mortal men.
Now we can see how Aristotle came to say that the first theologians and the first poets were one and the same. The very name of poet is proof that he was right. Inquiries have been made into the origin of that word; and, although the theories have varied somewhat, the most reasonable view on the whole is this: that in early days, when men were rude and unformed, but full of a burning desire—which is part of our very nature—to know the truth, and especially to learn about God, they began to feel sure that there really is some higher power that controls our destinies, and to deem it fitting that homage should be paid to this power, with all manner of reverence beyond that which is ever shown to men, and also with an august ceremonial. Therefore, just as they planned for grand abodes, which they called temples, and for consecrated servants, to whom they gave the name of priests, and for magnificent statues, and vessels of gold, and marble tables, and purple vestments, they also determined, in order that this feeling of homage might not remain unexpressed, to strive to win the favour of the deity by lofty words, subjecting the powers above to the softening influences of songs of praise, sacred hymns remote from all the forms of speech that
