The Czar attended in person, and applauded vigorously. The success was immediate, and it has never quitted the stage. Gogol wrote to a friend: "On the opening night I felt uncomfortable from the very first as I sat in the theatre. Anxiety for the approval of the audience did not trouble me. There was only one critic in the house — myself — that I feared. I heard clamorous objections within me which drowned all else. However, the public, as a whole, was satisfied. Half of the audience praised the play, the other half condemned it, but not on artistic grounds."
Revizor is one of the best-constructed comedies in any language; for not only has it a unified and well-ordered plot, but it does not stop with the final fall of the curtain. Most plays by attempting to finish up the story with smooth edges, leave an impression of artificiality and unreality, for life is not done up in such neat parcels. The greatest dramas do not solve problems for us, they supply us with questions. In Revizor, at the last dumb scene, after all the mirth, the real trouble is about to begin; and the spectators depart, not merely with the delightful memory of an evening's entertainment, but with their imagination aflame. Furthermore, Revizor has that combination of the intensely local element with the universal, so characteristic of works of genius. Its avowed attempt
