mode of death was syncope; the cause of death, undiscoverable.
"A layman may be permitted, I suppose, to describe 'emotional inhibition of the heart' as 'shock'; but we know, in our cases, that if a shock, it was not a painful one—perhaps not even an unpleasant one. Since all other emotions can be pleasant or unpleasant, why must we assume that the supreme emotion of death may not be pleasant also, did we know how to make it so? Perhaps the Borgia, among their secrets, had discovered this. At least the familiar signs of death were wholly absent from the countenances of the dead. The jaws were not set; the familiar expressions were not changed, as usually happens from rigidity of facial muscles; their faces were not sallow; their temples were not sunk; their brows were not contracted.
"We will now take the victims, one by one, and show how death happened to each of them, yet left no sign that it had happened. Frankly, the first case alone presented any difficulties to me. For a time I despaired of proving how the bed had destroyed Sir Walter's ancestor, because she had not entered it. But the difficulty becomes clear to one possessing our present knowledge, for once prove the properties of the bed, and the rest follows. You will say that they were not proved, only guessed. That was true, until Prince died. His death crowned my edifice of theory and converted it to fact. As to why the bed has these properties, that is for science to find out presently.
"To return, then, to the old lady, the ancient
