produced no impression whatsoever on the spectator, or at the most an impression due entirely to the immensity of the sheets. Mr. Hardy's series of posters commenced most auspiciously with that audacious young lady in a yellow dress, saucy hat, and flying black boa, who, not deigning to entreat, compelled the passer-by to rush to the nearest bookstall for a copy of Mr. Jerome's weekly "To-Day." Later, in similar vein, came the dashing girl in red, used by the manager of the Prince of Wales's Theatre to insist on the merits of "A Gaiety Girl." It may be doubted whether any more effective mural advertisement has ever been seen in London than that formed by half-a-dozen copies of this poster, arranged in the manner of a frieze in front of the theatre during the run of the piece. If the idea was that of the bill-sticker, the man was a genius of his kind: I cannot help suspecting, however, that the striking arrangement was due to Mr. Hardy himself. Or perhaps it was the happy thought of an outsider. In addition to the large "Gaiety Girl" poster, the two smaller bills which this artist designed to advertise the same play, full as they were of dash and go, must not be overlooked. To the collector they have a merit which he will not fail to appreciate. They are of manageable size, and this is more than can be said of most of Mr. Hardy's productions.
It must not be thought, however, that
