shops you may see Mr. Hardy's "Gaiety Girl" side by side with Lautrec's "Reine de Joie," while Mr. Grieffenhagen's young lady in red looks with demure surprise at the antics of her more frivolous sisters, as depicted by Jules Chéret. There is, again, a steady demand for anything by Mr. Beardsley, who, it would seem, has already become an established favourite with French connoisseurs. As we shall see in another chapter, the prices put in Paris upon English posters compare very favourably with those at which the works of the ablest French designers are valued. In matters of art, few cities are more insular and intolerant than the French metropolis; and those English artists who are devoting themselves to the poster, should be encouraged by enthusiastic recognition where enthusiasm was least to be expected.
