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PICURE POSTERS.
tunately, has never got beyond the experimental stage. It seems to me a specially interesting example of a remarkable talent applied to a very congenial subject. The posters of Lautrec are something more than works of art; they are human documents strangely eloquent of their moment. For this reason, their value may be more permanent than that of the productions either of Chéret or Grasset, delightfully fantastic as are the former, charmingly decorative as are the latter.
