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PICTURES FROM ITALY.

horses rested, I arrived upon a little scene, which, by one of those singular mental operations of which we are all conscious, seemed perfectly familiar to me, and which I see distinctly now. There was not much in it. In the blood-red light, there was a mournful sheet of water, just stirred by the evening wind; upon its margin a few trees. In the foreground was a group of silent peasant-girls leaning over the parapet of a little bridge, and looking, now up at the sky, now down into the water; in the distance, a deep bell; the shadow of approaching night on everything. If I had been murdered there, in some former life, I could not have seemed to remember the place more thoroughly, or with a more emphatic chilling of the blood; and the real remembrance of it acquired in that minute, is so strengthened by the imaginary recollection, that I hardly think I could forget it.

More solitary, more depopulated, more deserted, old Ferrara, than any city of the solemn brotherhood! The grass so grows up in the silent streets, that anyone might make hay there, literally, while the sun shines. But the sun shines with diminished cheerfulness in grim Ferrara; and the people are so few who pass and repass through the public places, that the flesh of its inhabitants might be grass indeed, and growing in the squares.

I wonder why the head coppersmith in an Italian town, always lives next door to the Hotel, or opposite: making the visitor feel as if the beating hammers were his own heart, palpitating with a deadly energy! I wonder why jealous corridors surround the bedroom on