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PICTURES FROM ITALY.

and fastened on to each, was a small knob or anvil, where the directing devil could repose his elbow at his ease, and listen, near the walled-up ear, to the lamentations and confessions of the wretch within. There was that grim resemblance in them to the human shape—they were such moulds of sweating faces, pained and cramped—that it was difficult to think them empty; and terrible distortions lingering within them, seemed to follow me, when, taking to my boat again, I rowed off to a kind of garden or public walk in the sea, where there were grass and trees. But I forgot them when I stood upon its farthest brink—I stood there, in my dream—and looked, along the ripple, to the setting sun: before me, in the sky and on the deep, a crimson flush; and behind me the whole city resolving into streaks of red and purple, on the water.

In the luxurious wonder of so rare a dream, I took but little heed of time, and had but little understanding of its flight. But there were days and nights in it; and when the sun was high, and when the rays of lamps were crooked in the running water, I was still afloat, I thought: plashing the slippery walls and houses with the cleavings of the tide, as my black boat, borne upon it, skimmed along the streets.

Sometimes, alighting at the doors of churches and vast palaces, I wandered on, from room to room, from aisle to aisle, through labyrinths of rich altars, ancient monuments; decayed apartments where the furniture, half awful, half grotesque, was mouldering away. Pictures were there, replete with such enduring beauty and