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PICTURES FROM ITALY.

no description can paint. Then, to see them watch their opportunity from the porch, and cut in where there was a place next the wall! And to see one man with an umbrella (brought on purpose, for it was a fine day) hoisting himself, unlawfully, from stair to stair! And to observe a demure lady of fifty-five or so, looking back, every now and then, to assure herself that her legs were properly disposed!

There were such odd differences in the speed of different people, too. Some got on, as if they were doing a match against time; others stopped to say a prayer on every step. This man touched every stair with his forehead, and kissed it; that man scratched his head all the way. The boys got on brilliantly, and were up and down again before the old lady had accomplished her half dozen stairs. But most of the Penitents came down, very sprightly and fresh, as having done a real good substantial deed which it would take a good deal of sin to counterbalance; and the old gentleman in the watch-box was down upon them with his cannister while they were in this humour, I promise you.

As if such a progress were not in its nature inevitably droll enough, there lay, on the top of the stairs, a wooden figure on a crucifix, resting on a sort of great iron saucer: so ricketty and unsteady, that whenever an enthusiastic person kissed the figure, with more than usual devotion, or threw a coin into the saucer, with more than common readiness (for it served in this respect as a second or supplementary cannister), it gave a great leap and rattle, and nearly shook the attendant