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PICTURES FROM ITALY.

Hard by the cathedral, stands the ancient Palace of the Popes, of which one portion is now a common jail, and another a noisy barrack: while gloomy suites of state apartments, shut up and deserted, mock their own old state and glory like the embalmed bodies of kings. But we neither went there, to see state-rooms, nor soldiers' quarters, nor a common jail, though we dropped some money into a prisoner's box outside, whilst the prisoners, themselves, looked through the iron bars, high up, and watched us eagerly. We went to see the ruins of the dreadful rooms in which the Inquisition used to sit.

A little, old, swarthy woman, with a pair of flashing black eyes,—proof that the world hadn't conjured down the devil within her, though it had had between sixty and seventy years to do it in,—came out of the Barrack Cabaret, of which she was the keeper, with some large keys in her hands, and marshalled us the way that we should go. How she told us, on the way, that she was a Government Officer (concierge du palais apostolique), and had been, for I don't know how many years; and how she had shown these dungeons to princes; and how she was the best of dungeon demonstrators; and how she had resided in the palace from an infant,—had been born there, if I recollect right,—I needn't relate. But such a fierce, little, rapid, sparkling, energetic, she-devil I never beheld. She was alight and flaming, all the time. Her action was violent in the extreme. She never spoke, without stopping expressly for the purpose. She stamped her feet, clutched us by the arms, flung herself into attitudes, hammered against walls with her