port in the city were based upon his presumed literary capabilities. For what else could he do? He knew no profession, no trade. Glad now perhaps might he have been, if Fate had made him a blacksmith, and not a gentleman, a Glendinning, and a genius. But here he would have been unpardonably rash, had he not already, in some degree, actually tested the fact, in his own personal experience, that it is not altogether impossible for a magazine contributor to Juvenile American literature to receive a few pence in exchange for his ditties. Such cases stand upon imperishable record, and it were both folly and ingratitude to disown them.
But since the fine social position and noble patrimony of Pierre, had thus far rendered it altogether unnecessary for him to earn the least farthing of his own in the world, whether by hand or by brain; it may seem desirable to explain a little here as we go. We shall do so, but always including, the preamble.
Sometimes every possible maxim or thought seems an old one; yet it is among the elder of the things in that unaugmentable stock, that never mind what one's situation may be, however prosperous and happy, he will still be impatient of it; he will still reach out of himself, and beyond every present condition. So, while many a poor be-inked galley-slave, toiling with the heavy oar of a quill, to gain something wherewithal to stave off the cravings of nature; and in his hours of morbid self-reproach, regarding his paltry wages, at all events, as an unavoidable disgrace to him; while this galley-slave of letters would have leaped with delight—reckless of the feeble seams of his pantaloons—at the most distant prospect of inheriting the broad farms of Saddle Meadows, lord of an all-sufficing income, and forever exempt from wearing on his hands those treacherous plague-spots of indigence—videlicet, blots from the inkstand;—Pierre
