steamship quitting the shore, gazed at the already distant coast with eyes full of tears and regret. Whom is she leaving behind?
Then the same young lady sitting by an open window with a view of the sea, had fainted in an arm-chair; a letter she had dropped lay at her feet. So he is dead! What despair!
Visitors were generally much moved and charmed by the commonplace pathos of these obvious and sentimental works. They were at once intelligible without question or explanation, and the poor women were to be pitied, though the nature of the grief of the more elegant of the two was not precisely known. But this very doubt contributed to the sentiment. She had, no doubt, lost her lover. On entering the room the eye was immediately attracted to these four pictures, and riveted as if fascinated. If it wandered it was only to return and contemplate the four expressions on the faces of the two women, who were as like each other as two sisters. And the very style of these works, in their shining frames, crisp, sharp, and highly finished, with the elegance of a fashion plate, suggested a sense of cleanliness and propriety which was confirmed by the rest of the fittings. The seats were always in precisely the same order, some against the wall and some round
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