CHAPTER III.
PINDAR'S LIFE AND BIOGRAPHERS.
It has seemed desirable to preface the story of Pindar's life with some account, however imperfect, of the general character of Greek Choral poetry. By realising the essential connection of its loftiest forms with the mysteries of Greek religion and the inspiring legends of the Heroic Age, we are enabled better to understand the peculiar veneration which the Greeks felt for their greatest choric poet. Plato[1] speaks of him as belonging to a class of poets who deserve the title of "divine." And it is clear, on abundant evidence, that he was generally regarded by the Greeks not simply as a great artist, but as an inspired and saintly sage, the author of works deserving a place beside those of Homer among the Sacred Books of the nation. This view of Pindar's character is illustrated by various legends, which we shall notice in their place,—legends which, however historically baseless, were repeated and believed all over Greece,—of a special and mysterious intercourse between the poet and the unseen world,
