friend of Orestes—Orestes was the son and avenger of Agamemnon. So at last his theme is reached. And thus, to quote Pindar's own description of his poetry—
"From theme to theme, the bright applausive lay,
As bees from flower to flower, speeds on its changeful way." [1]
This singular habit of Pindar's is a constant source of bewilderment to his modern readers, and, more than any other feature in his poetry, justifies the charge of obscurity which is so frequently brought against him. No poet can tell a story more plainly and pointedly than he, when it suits him to be plain and pointed. No poet could exhibit more skill in selecting from a mass of legendary memories the precise story which best suits his purpose on each occasion. But he chooses deliberately to approach his myths in this unexpected style. It is in his eyes a merit—an exhibition of skill. Often he professes to apologise for his digressions, as he chooses to call these carefully-planned episodes, which are the real centres—the very groundwork of his Odes. He speaks of himself as driven unexpectedly upon his themes by such winds as toss the skiffs at sea. He calls to his Muse to stay the oar, and cast the anchor from the prow, ere he strike upon some lurking rock. But such language is merely intended to heighten the illusion which he has designedly produced, to give his carefully-elaborated poem the air of an improvisation. Few poets
- ↑ Pyth. x. 53.
