hands with him (who certainly deserves it better); he will do something for him too. He persuades his brother to give Syrus his freedom, with a sum of money to set him up in life, "by way of encouragement to honest servants," as he ironically puts it. He will have him make a deed of gift of a snug farm to Hegio, who has acted the part of a good relation so manfully; and he ends by persuading the old bachelor himself to marry the excellent Sostrata, his ward's mother-in-law—a lone woman, much in want of a protector. The good-natured Micio does make some wry faces at this last item in the arrangements, but his brother's arguments as to the great duty of pleasing everybody are too strong for him. If complaisance with other people's fancies, and reckless liberality, are the right thing, Demea is determined to give his brother full opportunity to put in practice this new-fangled virtue.
In obedience to an ordinance contained in the Charter of Queen Elizabeth, the Westminster Scholars present every year, on three nights just before Christmas, a Latin play. The performance, which takes place in the Dormitory of the College, with appropriate scenery and costume, is perfectly unique of its kind, and is the only relic of an ancient custom once common to all our great schools. Although, as has already been noticed, a comedy of Plautus has occasionally been selected, Terence has always been the favourite. Four of his comedies—'The Maid of Andros,''The Ethiopian Slave,''Phormio,' and 'The Brothers'—
