'Destroying the old building,' he says in his charter, 'I have built up a new one from the very foundation.' Its fame as a 'new style of composition' lingered in the minds of men for generations. It was the first cruciform church in England, from which all the rest of like shape were copied—an expression of the increasing hold which, in the tenth century, the idea of the Crucifixion had laid on the imagination of Europe. The massive roof and pillars formed a contrast with the rude wooden rafters and beams of the common Saxon churches. Its very size—occupying, as it did, almost the whole area of the present building—was in itself portentous. The deep foundations, of large square blocks of grey stone, were duly laid; the east end was rounded into an apse; a tower rose in the centre, crowned by a cupola of wood. At the western end were erected two smaller towers, with five large bells. The hard strong stones were richly sculptured; the windows were filled with stained glass; the roof was covered with lead. The cloisters, chapter-house, refectory, dormitory, the infirmary, with its spacious chapel, if not completed by Edward, were all begun, and finished in the next generation on the same plan. This structure, venerable as it would be if it had lasted to our time, has almost entirely vanished. Possibly one vast dark arch in the southern transept, certainly the substructures of the dormitory, with their huge pillars, 'grand and regal at the bases and capitals,' the
