designs of usurpation. Aristophanes has well expressed the people's feeling towards him:—
"They love, and hate, and cannot do without him.
And still more strongly, under a figurative expression,
"Best rear no lion in your state, 't is true;
But treat him like a lion if you do."
The truth is, his liberalities, his public shows, and other munificence to the people, which were such as nothing could exceed, the glory of his ancestors, the force of his eloquence, the grace of his person, his strength of body, joined with his great courage and knowledge in military affairs, prevailed upon the Athenians to endure patiently his excesses, to indulge many things to him, and, according to their habit, to give the softest names to his faults, attributing them to youth and good nature. As, for example, he kept Agatharcus, the painter, a prisoner till he had painted his whole house, but then dismissed him with a reward. He publicly struck Taureas, who exhibited certain shows in opposition to him and contended with him for the prize. He selected for himself one of the captive Melian women, and had a son by her, whom he took care to educate. This the Athenians styled great humanity; and yet he was the principal cause of the slaughter of all the inhabitants of the isle of Melos who were of age to bear arms, having spoken in favor of that decree. When Aristophon, the painter, had drawn Nemea sitting and holding Alcibiades in her arms, the multitude seemed pleased with the piece, and thronged to see it, but older people disliked and disrelished it, and looked on these things as enormities, and movements towards tyranny. So that it was not said amiss by Archestratus, that Greece could not support a second Alcibiades. Once, when Alcibiades succeeded well in an
