reprimand, Marcellus made it his glory to the Greeks themselves, that he nad taught his ignorant countiymen to esteem and admire the elegant and wonderful productions of Greece.
But when the envious opposed his being brought triumphant into the city, because there were some relics of the war in Sicily, and a third triumph would be looked upon with jealousy, he gave way. He triumphed upon the Alban mount, and thence entered the city in ovation, as it is called in Latin, in Greek eua; but in this ovation he was neither carried in a chariot, nor crowned with laurel, nor ushered by trumpets sounding; but went afoot with shoes on, many flutes or pipes sounding in concert, while he passed along, wearing a garland of myrtle, in a peaceable aspect, exciting rather love and respect than fear. Whence I am, by conjecture, led to think that, originally, the difference observed betwixt ovation and triumph, did not depend upon the greatness of the achievements, but the manner of performing them. For they who, having fought a set battle, and slain the enemy, returned victors, led that martial, terrible triumph, and, as the ordinary custom then was, in lustrating the army, adorned the arms and the soldiers with a great deal of laurel. But they who, without force, by colloquy, persuasion, and reasoning, had done the business, to these captains custom gave the honor of the unmilitary and festive ovation. For the pipe is the badge of peace, and myrtle the plant of Venus, who more than the rest of the gods and goddesses abhors force and war. It is called ovation, not, as most think, from thfe Greek euasmus, because they act it with shouting and cries of Eua: for so do they also the proper triumphs. The Greeks have wrested the word to their own language, thinking that this honor, also, must have some connection with Bacchus, who in
