Yet, though I would not have their words too quaint,
Much less can I allow them impudent;
For men of breeding and of quality
Must needs be shocked with fulsome ribaldry,
Which, though it pass the footboy and the cit,
Is always nauseous to the box and pit.
There are but few, who have such skilful ears,
To judge of artless and ill-measured verse.
This till of late was hardly understood,
And still there's too much liberty allowed.
But will you therefore be so much a fool
To write at random, and neglect a rule?
Or, while your faults are set to general view,
Hope all men should be blind, or pardon you?
"Who would not such foolhardiness condemn,
Where, though perchance you may escape from blame,
Yet praise you never can expect, or claim?
Therefore be sure you study to apply
To the great patterns of antiquity;
Ne'er lay the Greeks and Romans out of sight,
Ply them by day, and think on them by night.
Rough hobbling numbers were allowed for rhyme,
And clench for deep conceit in former time;
With too much patience (not to call it worse)
Both were applauded in our ancestors;
If you or I have sense to judge aright,
Betwixt a quibble and true sterling wit;
Or ear enough to give the difference
Of sweet well sounding verse from doggrel strains.
Thespis, 'tis said, did tragedy devise,
Unknown before, and rude at its first rise;
In carts the gypsy actors strolled about,
With faces smeared with lees of wine and soot,
And through the towns amused the wondering rout;
Till Æschylus appearing to the age,
Contrived a playhouse, and convenient stage,
Found out the use of vizards, and a dress,
(A handsomer, and more genteel disguise)
Page:Poetical Works of John Oldham.djvu/166
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Horace's art of poetry,